Subject is what is picked up by a Mood Tag.
For example:
A little further on is the Rijksmuseum (isn't it?)
Theme: a little further on
Subject: the Rijksmuseum
Matters Arising Within Systemic Functional Linguistic Theory And Its Community Of Users




However, this is untenable for two reasons. Firstly, a reading of a text is at the same level of instantiation as the text it is a reading of. Secondly, a text is an instance of the system of the speaker/writer, whereas a reading is an interpretation of a text by a listener/reader.
As Halliday & Matthiessen (1999: 384) explain:
If we look at logogenesis from the point of view of the system (rather than from the point of view of each instance), we can see that logogenesis builds up a version of the system that is particular to the text being generated: the speaker/writer uses this changing system as a resource in creating the text; and the listener/reader has to reconstruct something like that system in the process of interpreting the text — with the changing system as a resource for the process of interpretation. We can call this an instantial system.
On this basis, a reading is variant instantial system that is reconstructed by a listener/reader of the instantial system of a speaker/writer.
The M.A.K. Halliday Prize is an international book prize awarded biennially for the most significant scholarly monograph recently published in Systemic Functional Linguistics (SFL). It is named in memory of M.A.K. Halliday, who was the leading figure in the development of SFL theory.
Blogger Comments:
Growing work in SFL has illustrated a wide range of strategies that people use to affiliate with each other and build community. To this point, however, these strategies have yet to be systematised into an integrated model.
This talk presents one component of a model that aims to bring together these strategies into one system, as an evolving model of tenor (developed with Michele Zappavigna and J. R. Martin).
Much work on affiliation, building on Knight (2010), has highlighted the regular use of both dialogue and evaluation in establishing and negotiating bonds: what we can analyse discourse semantically through NEGOTIATION and ATTITUDE (e.g. Zappavigna 2018).
Similarly, descriptive work on interpersonal grammar across languages has highlighted the nuanced interactions that often occur between NEGOTIATION and the positioning of voices through ENGAGEMENT (e.g. Zhang 2020, Muntigl 2009, Martin et al. 2021). And work by White (2020), among others, has emphasised the crucial role of alignment in monologic discourse, highlighting the parallels between dialogic resources of NEGOTIATION and monologic resources of ENGAGEMENT.
This talk aims to synthesise these interactions and parallels into a systemic model of tenor (being prepared as Doran, Martin and Zappavigna in prep.). The model developed views tenor as a set of resources for enacting social relations.
The talk first explores the unfolding of dialogue, in terms of how people tender meanings to be reacted to, as well as how they can render these meanings in terms of support or reject.
From this starting point, it then builds a more fleshed out description, that allows for the nuancing of meanings in terms of who has control or purview, the means by which propositions and proposals can be negotiated and ways in which each of these resources can be organised in both dialogue and monologue.
Together, these sets of choices offer nuanced possibilities for negotiating people’s social relations in ways that complement a perspective on social relations in terms of status and contact.
TENOR — the role structure: 'who is taking part'
refers to who is taking part, to the nature of the participants, their statuses and roles: what kinds of role relationship obtain among the participants, including permanent and temporary relationships of one kind or another, both the types of speech role that they are taking on in the dialogue and the whole cluster of socially significant relationships in which they are involved.
This basic confusion between different levels of symbolic abstraction invalidates the proposed model of tenor.


… while the Thing … is the entity that is functioning as participant in the transitivity structure of the clause … It is the Head that determines the value of the entity in the mood system, and therefore as a potential Subject.
To demonstrate:
Here it is clearly the word picture that serves as Thing, since it was the picture that was eaten by the llama, not Dorian Grey.
For Matthiessen (1995: 656-7), on the other hand, it is Dorian Grey that serves as Thing in such nominal groups:

The fundamental human need to belong comes from the desire to associate with others, to cooperate, to accept group norms. However, the Stanford Prison Experiment (SPE) shows that the need to belong can also be perverted into excessive conformity, compliance, and in-group versus out-group hostility. The need for autonomy and control, the central forces toward self-direction and planning, can be perverted into an excessive exercise of power to dominate others or into learned helplessness.

THE SOCIAL SEMIOTICS OF TIME
Theo van Leeuwen (leeuwen@sdu.dk)
The course will deal with time-based multimodal texts. It has two main objectives. Theoretically, it seeks to show that the semiotic resources we have for the temporal structuring of multimodal texts reflect the temporal structuring of social life. Practically, it introduces resources for analysing the temporal structuring of multimodal texts, including music and film, and for analysing the verbal and visual representation of time and timing in multimodal texts.
5 August Time and society
The lecture introduces the course and discusses its basic assumption – that the structuring of time-based multimodal texts is closely related to the way society organizes the timing of activities. It also discusses the power structures and normative discourses that regulate social timing.
12 August Rhythm (1)
Starting by discussing the differences between clock time and our body clocks, the lecture argues that the structuring of everyday social interaction and the structuring of time-based multimodal texts is primarily based on rhythm, and introduces a method for analysing the rhythmic structure of multimodal texts and the role it plays in meaning-making.
26 August Time and music (1)
This lecture discusses the relation between musical time and social time, introducing a number of key concepts, including measured and unmeasured time, regularized and non-regularized time, metronomic and non-metronomic time, and polyrhythmic and mono-rhythmic time, in each case explaining how these forms of timing create meaning, and how they can combine in complex structures.
9 September Time and film (1)
This lecture discusses the relation between filmic time and the changes in social time and timing which came about at the time film language was developed, as a result of technological innovations and new ways of understanding time (e.g. relativity theory). Key themes include the relation between past, present and future, the stretching or condensing of time and the presentation of distant events as simultaneous and connected.
23 September Time and language (1)
The lecture discusses linguistic resources for representing the timing of social activities, their relation to the way time and timing are organized in contemporary society, and the way they can be used to analyse the representation of time in discourse.
14 October Visual representations of time (1)
This lecture discusses semiotic resources for the (static) visual representation of time-based activities, showing how these resources can be used in analysing images and diagrams, and comparing the semantic reach of visual and verbal representation of time and timing.
Blogger Comments:
[1] On the model of Halliday's Systemic Functional Linguistic Theory, the dimension of time can be understood as the location and extent (duration or frequency) of the unfolding of processes. The difference between 'clock time and our body clocks' is in the processes whose rhythms provide the intervals of time measurement.
[2] Rhythm can be understood as the unfolding of a process relative to the time intervals used to measure it.
[3] The difference between musical time and social time is in the processes whose unfoldings provide the intervals of time measurement.