Intonation

Our intonations contain our philosophy of life,
what each of us is constantly telling himself about things.

Marcel Proust

Making A Hash Of It

Cred Street

External Vs Internal Temporal Conjunction

1. External Temporal Conjunction

Halliday & Hasan (1976: 239, 240):

… it is a relation between events […] first one thing happens then another.  The time sequence […] is […] in the content of what is being said. 

… the cohesion has to be interpreted in terms of the experiential function of language; it is a relation between meanings in the sense of representations of ‘contents’, (our experience of) external reality. 

… those which exist as relations between external phenomena …

2. Internal Temporal Conjunction

Halliday & Hasan (1976: 239, 240):

The time sequence is in the speaker’s organisation of his discourse. … a relationship between different stages in the unfolding of the speaker’s communication role — the meanings he allots to himself as a participant in the total situation. 

… the cohesion has to be interpreted in terms of the interpersonal function of language; it is a relation between meanings in the sense of representations of the speaker’s own ‘stamp’ on the situation — his choice of speech role and rhetorical channel, his attitudes, his judgements and the like. 

… those which are as it were internal to the communication situation.

Internal Vs External Enhancing Relations

1. Clause Complexes

Halliday & Matthiessen (2004: 419):

… the enhancing relation may be internal rather than external; that is, the beta-clause may relate to the enactment of the proposition or proposal realised by the alpha-clause rather than to the figure that it represents. For example, if it is not too personal an inquiry, what limits do you set… means ‘if it is not…, I ask you…’; that is, the condition is on the act of questioning, not on the content of the question.

2. Cohesive Conjunction

Halliday & Matthiessen (2004: 545):

Many temporal conjunctives have an ‘internal’ as well as an ‘external’ interpretation; that is, the time they refer to is the temporal unfolding of the discourse itself, not the temporal sequence of the processes referred to. In terms of the functional components of semantics, it is interpersonal not experiential time.

By Any Other Name Would Smell As Sweet

Wishful Thinking

Modulation smuggles desideration into cognition.

eg They think science should aggrandise humanity.

Interpersonal Iconicity: Semiotic And Social Distance

Halliday & Matthiessen (2004: 629):

The potential for negotiation in dialogue created by metaphors of mood is directly related to the contextual variables of tenor. These are usually discussed in terms of status, formality and politeness. What they have in common is a very general sense of the social distance between the speaker and the addressee. Here interpersonal metaphor is part of a principle of interpersonal iconicity: metaphorical variants create a greater semiotic distance between meaning and wording, and this enacts a greater social distance between speaker and addressee.

Logical Vs Experiential Structure

Halliday & Matthiessen (1999: 520): 

… the logical system, within the ideational metafunction, engenders a different type of linguistic structure from that of the experiential system. In the logical world, the parts are not constituents of an organic configuration, like the process, participants and circumstances of the clause. They are elements standing to each other in a potentially iterative relationship; and each element represents an entire process.

Dependent Clauses Vs Circumstances

A dependent clause is a logical expansion (or projection) of another clause within a (univariate) complex.

A circumstance is an experiential element of the (multivariate) function structure of a clause.

"we've got to get up of our arses, and stop just talking about it."

Circumstantial Vs Modal And Conjunctive Adjuncts

Diagnostic: Textual Potential

Halliday & Matthiessen (2004: 279):

Modal and Conjunctive Adjuncts are outside the transitivity system, hence while typically thematic, they are not topical Theme and therefore cannot be given special thematic prominence; nor will they carry the only focus of information in the clause. … But many items can occur both as circumstance and in one of the other functions.

Prepositional Phrases As Participants

Halliday & Matthiessen (2004: 278):

Wherever there is systematic alternation between a prepositional phrase and a nominal group, as in all the instances in Participant functions realised by prepositional phrases, the element in question is interpreted as a participant.

Material Clauses: Transformative Vs Creative

Halliday & Matthiessen (2004: 186):

Neither happen to nor do to/with can be used [as probes] with creative clauses …

Mental Clauses Vs Material Clauses

1. Diagnostic: Tense

Halliday & Matthiessen (2004: 206):

In a ‘mental’ clause, the unmarked present tense is the simple present … But in a ‘material’ clause the unmarked present tense is the present in present … 

2. Diagnostic: ‘Do’

Halliday & Matthiessen (2004: 207):

Mental processes … are not kinds of doing, and cannot be probed or substituted by do.

Relational Clauses Vs Mental Clauses

1. Diagnostic: Consciousness

Halliday & Matthiessen (2004: 212): 

… while one participant in a ‘mental’ clause, the Senser, is always endowed with consciousness, this is not the case with ‘relational’ clauses. 

2. Diagnostic: Projection

Halliday & Matthiessen (2004: 213): 

With a ‘mental’ clause, the phenomenon of consciousness can be construed as an idea brought into existence through the process of consciousness and represented grammatically as a separate clause … but this is not possible with ‘relational’ clauses.

Relational And Mental Clauses Vs Material Clauses

Diagnostic: Acts & Facts

Halliday & Matthiessen (2004: 213): 

In being able to be construed not only with things as participants, but also with acts and facts, ‘relational’ clauses clearly differ from ‘material’ ones; but they resemble ‘mental’ ones in this respect.

Relational Clauses Vs Material And Mental Clauses

1. Diagnostic: Inherent Participants

Halliday & Matthiessen (2004: 213): 

In ‘relational’ clauses, there are two parts to the ‘being’: something is said to ‘be’ something else … This means that in a ‘relational’ clause in English, there are always two inherent participants … In contrast, the general classes of ‘material’ and ‘mental’ clauses have only one inherent participant (the Actor and the Senser, respectively). 

2. Diagnostic: Salience

Halliday & Matthiessen (2004: 214): 

Verbs in general in ‘relational’ clauses are typically non-salient, whereas verbs in ‘material’ and ‘mental’ clauses are salient at the accented syllable …

Attributive Vs Identifying Relational Clauses

1. Diagnostic: Reversibility

Halliday & Matthiessen (2004: 215): 

The ‘identifying’ ones are reversible … The ‘attributive’ ones are not reversible … 

Halliday & Matthiessen (2004: 220): 

The [‘attributive’] clauses are not reversible: there are no ‘receptive’ forms … 

Halliday & Matthiessen (2004: 228): 

These [‘identifying’] clauses are reversible. All verbs except the neutral be and the phased become, remain (and those with following prepositions like as in act as) have passive forms … Clauses with be reverse without change in the form of the verb and without marking the non-Subject participant …

2. Diagnostic: Definiteness

Halliday & Matthiessen (2004: 219): 

The nominal group functioning as Attribute construes a class of thing and is typically indefinite: it has either an adjective or a common noun as Head and, if appropriate, an indefinite article … It cannot be a proper noun or a pronoun since these do not construe classes. 

Halliday & Matthiessen (2004: 228): 

The nominal group realising the function of Identifier is typically definite: it has a common noun as Head, with the or other specific determiner as Deictic, or else a proper noun or pronoun. The only form with adjective as head is the superlative ….

Intensive Vs Circumstantial Attributive Clauses

Diagnostic: Constituent Structure

Halliday & Matthiessen (2004: 240n): 

Ascriptive verbs of marked phase such as turn and look, were treated as ‘intensive’ even when they had a preposition after them: for example, caterpillars turn into butterflies, Penelope looked like an angel. This reflects their constituent structure; cf what they turn into are butterflies (not what they turn is into butterflies), Penelope looked angelic. But there is an overlap at this point, and these could also be interpreted as circumstantial.

Circumstantial Attributive Vs Material Clauses

1. Diagnostic: Unmarked Present Tense

2. Diagnostic: Inherent Participant Mobility

Halliday & Matthiessen (2004: 242): 

Verbs serving in clauses with a circumstantial process are often derived from a basic use in ‘material’ clauses of motion …

The unmarked present tense is the simple present … rather than the present in present of ‘material’ clauses …

The Carrier is typically some immobile physical feature, whereas the Actor of a ‘material’ clause of motion is typically an animate being or a mobile entity.

Because of the overlap of a large set of verbs, there will of course be cases that are indeterminate …

Circumstantial Attributive Vs Existential Clauses

Diagnostic: Mood Tag

Halliday & Matthiessen (2004: 241):

However, note that clauses such as on the north wall … hangs a Union Jack … are not ‘attributive’ but ‘existential’. The thematically unmarked form of these clauses is that beginning with existential there: there is (hangs) a Union Jack on the north wall. The prepositional phrase then appears initially as a marked Theme; in that case the existential feature may be left implicit, although the there may still be present and will appear in any case in the mood tag: on the north wall (there) is a Union Jack, isn’t there?. In contrast, in a ‘circumstantial attributive’ clause, the Subject/Carrier is picked up in the mood tag: the sounds and smells of the ocean hang in the air — don’t they? …

Intransitive Creative Material Clauses Vs Existential Clauses

Halliday & Matthiessen (2004: 185):

‘Intransitive’ ‘creative’ clauses have the sense of ‘come into existence’ and shade into clauses of the ‘existential’ process type. One difference is the unmarked present tense: it is present–in–present for material clauses … but the simple present in existential ones. Another difference is the potential for a construction with there as Subject in existential clauses, but not in creative material ones.

One Way To Analyse The Transitivity Of A Difficult Clause

DATA

The guitar lends itself well to playing pentatonic scales.

ANALYSIS

(1) WHAT DOES THE TEXTBOOK SAY? 

Take a trinocular perspective.

Halliday & Matthiessen (2004: 31):

We cannot expect to understand the grammar just by looking at it from its own level; we also look into it ‘from above’ and ‘from below’, taking a trinocular perspective. But since the view from these different angles is often conflicting, the description will inevitably be a form of compromise.

SO

(2) THE VIEW ‘FROM ABOVE’: MEANING

QUESTION: What type of clause is it in terms of the experiential meaning being realised?

ANSWER: In terms of the meaning it is realising, the clause is an ‘attributive relational’.

REASON: An entity (guitar) has some class attributed to it (the class of things good for playing pentatonic scales)

EVIDENCE:

Halliday & Matthiessen (2004: 219):

In the ‘attributive’ mode, an entity has some class ascribed or attributed to it.

(3) THE VIEW ‘FROM ROUND ABOUT’: WORDING (clause rank)

QUESTION: What type of clause is it in terms of lexicogrammatical paradigmatic and syntagmatic relations?

ANSWER: In terms of the wording realising the meaning, the clause is ‘material’.

REASON: The clause structure includes a Recipient (‘playing pentatonic scales’) of the lending process, and the Recipient is a participant restricted to ‘material’ clauses.

EVIDENCE:

Halliday & Matthiessen (2004: 191):

Recipients occur only in ‘transitive transformative’ clauses of the ‘extending’ type; and within that category, they occur with those clauses that denote a transfer of the possession of goods. …

(4) THE VIEW ‘FROM BELOW’: WORDING (group/phrase rank)

QUESTION: What type of clause is it in terms of how it is realised at the rank below?

ANSWER: ‘Material’ is not excluded by the probe for unmarked present tense of the verbal group.

REASON: The unmarked ‘present in present’ tense is used for specific doings and happenings, whereas the marked ’simple present’ tense is for generalised or habitual doings, such as construed by this clause.

EVIDENCE:

Halliday & Matthiessen (2004: 179-80):

The unmarked tense selection is the present–in–present (eg is doing) rather than the simple present (eg does) … The present–in–present serves to narrow down the present from the extended now of habits and ‘general truths’ that is characteristic of the simple present with ‘material’ clauses …

(5) CONCLUSION

The clause is a ‘material’ realisation of an ‘attributive’ relation, and so an instance of grammatical metaphor. The structural analysis is as follows:

The guitar: Actor

lends: Process: material

itself: Goal

well: Manner: quality

to [[playing pentatonic scales]]: Recipient

(6) FURTHER CONSIDERATIONS:

FIRST OBSERVATION: the role of Actor is filled by an inanimate (guitar) rather than animate entity

COMMENT: This is at odds with the notion of Actor as the source of energy for a material process.

EVIDENCE:

Halliday & Matthiessen (2004: 179):

… ‘material’ clauses are clauses of doing–&–happening: a ‘material’ clause construes a quantum of change in the flow of events as taking place through some input of energy. … the source of the energy bringing about the change is typically a participant — the Actor … The Actor is the one who does the deed — that is, the one that brings about the change.

SECOND OBSERVATION: the role of Recipient is filled by a ‘macrothing’ (an Act) rather than a ’simple thing’, conscious or non-conscious.

COMMENT: This is at odds with the notion of Recipient as the one to whom goods are given.

EVIDENCE:

Halliday & Matthiessen (2004: 191):

The Recipient is the one that goods are given to …

A Different Theory Makes A Different Observer

Pike (1982: 3):

The list and kind of things men will find will vary radically if they adopt different theories as tools with which to search for these units. The theory is part of the observer; a different theory makes a different observer; a different observer sees different things, or sees the same things as structured differently; and the structure of the observer must, in some sense or to some degree, be part of the data of an adequate theory of language.

The Exceptionality Of Medio-Receptive Voice

Halliday & Matthiessen (2004: 298):

… then there are the ‘indirect participants’ functioning as Complements to prepositions, some of which … are potential Subjects; these give various other kinds of receptive such as ‘Location–receptive’, for example the bed hadn’t been slept in, ‘Manner–receptive’, for example this pen’s never been written with, and so on. Normally these are also medio–receptives, that is, they are middle not effective clauses. But receptives with idiomatic phrasal verbs, such as it’s been done away with, she’s very much looked up to, that prize has never been put in for, are often ‘true’ receptives in the sense that the prepositional phrase really represents a participant …

Halliday & Matthiessen (2004: 289):

Except in the special case of the medio–receptive voice, the Medium is obligatory in all processes; and it is the only element that is, other than the process itself. … The Medium is also the only element that is never introduced into the clause by means of a preposition (again with the same exception of medio–receptives); it is treated as something that always participates directly in the process.

Meaning "Beyond The Clause"

Halliday & Matthiessen (1999: 13):

[This] does not imply, however, that the scope of ideational semantics does not extend over sequences longer than a clause complex.

Halliday & Matthiessen (1999: 528):

Since these resources [of the textual metafunction] are oriented towards discourse, many of the “textual” systems in any language have a domain potentially higher than the clause and the clause complex; they set up relationships that create semantic cohesion, and these are not restricted by the limitations of grammatical structure.

Halliday & Matthiessen (1999: 530):

… the “textual” metafunctional component comprises a further set of resources, which construe clauses and clause complexes into longer stretches of discourse without the formality of further grammatical structure. … These are of four kinds: reference …, ellipsis, conjunction and lexical cohesion.

Conative Adjuncts

Halliday & Matthiessen (2004: 507):

… Adjuncts in the clause may relate semantically to the conative component like hard, quickly in she tried hard to write well, she quickly learnt to tell them apart …

There is no need in the analysis to tie these structurally to the primary verbal group; but it is useful to specify their function, by labelling them as ‘conative Adjunct’.

Instantiate: Meaning And Etymology

in·stan·ti·ate

/ɪnˈstænʃiˌeɪt/

verb (used with object), in·stan·ti·at·ed, in·stan·ti·at·ing.

to provide an instance of or concrete evidence in support of (a theory, concept, claim, or the like).

Origin: 

1945–50; < Latin instanti ( a ) (taken as combining form of instance) + -ate

Related forms

in·stan·ti·a·tion, noun

in·stan·ti·a·tive, adjective

The Contextual Preselection Of A Register Within The Semantic System

Halliday & Matthiessen (1999: 376):

A given contextual specification of field, tenor and mode is thus realised by “preselecting” a register within the semantic system … This contextual preselection within the semantics narrows down the overall potential to a registerial subpotential; a field specification narrows down the ideational potential from that of the overall ideation base to that of a domain model.

Verbal Process Subtype That Does Not Easily Project

Halliday & Matthiessen (2004: 256):

Verbs that accept a Target do not easily project reported speech; this type of clause is closer to the Actor + Goal structure of a ‘material’ clause … The source of praise, blame etc is construed either as a circumstance or as an enhancing hypotactic clause … but not as a projection …